Devil

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Eugene Delacroix, “Mephistopheles Flying over the City” (1828), lithograph
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Albrecht Dürer, “Four Horsemen of the Apocalypse” (1498), woodcut
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Louis Boulanger, “The Round of the Sabbath (La Ronde du Sabbat)” (1828), lithograph with chine collé
Agostino Musi (Italy, c. 1490–after 1536), The Carcass (The Witches Procession), 1520–1527. Engraving. Lent by Kirk Edward Long.
Agostino Musi, “The Carcass (The Witches Procession)” (1520–1527), engraving
Johannes Sadeler (Belgium, 1550–1600), Hell, c. 1590. Engraving. Lent by Kirk Edward Long.
Johannes Sadeler, “Hell” (1590), engraving
Hendrick Goltzius (The Netherlands, 1558–1617), The Descent to Hell of the Damned, c. 1577. Engraving. Lent by Kirk Edward Long.
Hendrick Goltzius, “The Descent to Hell of the Damned” (1577), engraving
Agostino Musi, called Agostino Veneziano (Italy, c. 1490–after 1536), The Skeletons, 1518. Engraving. Lent by Kirk Edward Long.
Agostino Musi, called Agostino Veneziano, “The Skeletons” (1518), engraving

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